The Great Entanglement

by Clay Steakley 

Inspired by Fast Forward


It’s all already in the body,

Whispers the body to the body.

The conclusion, the leap.

The round lust, the exodus.

The great unspooling from

Birth to death, then to when.

The very old songs,

The lurching toward freedom.

The hull of your ribs holds

A theatre which is a cathedral

Which is inscrutable space past

The farthest known galaxy.

Fill it with dancers, with heat

From bodies, breath. With the

Vasty drum of feet on boards,

Snow slipping from branches.

These singers like porcelain figurines.

These dancers like mahogany spears.

This woman is a movie screen.

This man is an untethered hawk.

I would cry out from joy or wild grief

Or the fathomless freefall of skin hunger,

My hands seabirds seeking rest.

But the pixel is the atom of isolation.

A caressing of the self, instead.

A movement like electrons.

The body is a clock. A metronome.

A sunken galleon. One hundred wolves.

The international space station.

Elephant tusk. Andromeda. God.

It’s all already in the body,

Whispers the body to the body.


About 
Clay Steakley
Clay Steakley is the founding editor of the online arts journal Outer Voice. He has worked professionally as a writer, actor and musician for 20 years. Clay’s writing has been published alongside Aimee Bender and Lauren Groff in Slake, as well as in Cathexis Northwest Press, Fiction Fix, From the Depths, Waxing & Waning and more. He was a finalist for a PEN Emerging Voices Fellowship, and received the Ruby P. Treadway award for creative writing from Belmont University. Clay has been an actor, musician, day laborer, and arts journalist. He recently returned to his hometown of Nashville after a long and delirious exile in Los Angeles. He's happy to be back.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

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