Photo: Tiffany Bessire

Distance (After "One Art")

by Kelley Bell 

Inspired by Ghosted


In response to Ghosted.

Some days we lose ourselves in quiet;
we dwell in a mist of hours, then dissipate
into the space between us, over time.

You are always taller than I remember--not quite
the five-year-old with the still, solemn face.
These days, I lose you in another quiet.

You ask how I’m doing and I say I’m fine,
really, and so do you. We regurgitate,
each going through the paces in perfect time.

I stop asking about school, afraid a lie
will fog the glass. Sometimes I hate
how, these days, we lose ourselves in quiet.

I lose you between cities. Tomorrow I’ll find
a reason to call you, really. Just to say
I miss you, where are you, do you have time…?

because today you are dissolving (your eyes,
a gesture I love), and I dissolve the same.
Someday we’ll lose ourselves in quiet.
We’ll lose all trace of each other, given time.


About 
Kelley Bell
Kelley Bell writes narrative essays, short fiction, flash fiction, and poetry. Recently, three of her poems were featured in the the podcast Versify, and she was the recipient of the 2017 So to Speak Fiction Prize for her short story Resurrection Man. She works full time as an education program manager at the Nashville Symphony, and has an abiding passion for ballet and modern dance.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

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