Photo: Tiffany Bessire

This was my response to the Miwa Matreyek show, and it really resonated with me. When I watched it, the story was told in such a compelling and articulate way that I could almost feel the emotions of the giant shadow woman who traveled high and low and saw countless risings and fallings. It felt almost like a riddle of some sort to me- an endless loop that changes at such a slow pace it feels like nothing is really happening.

Creation Equals Destruction

by Valentina Quintero 

inspired by Miwa Matreyek - Myth & Infrastructure


There is a riddle
that people love to
tell.
It speaks of sisters that
birth one another,
forever on a loop.
Day and night, same as
life and death,
if you look at it right.

We humans fancy ourselves
gods
with the things we have
created and brought back to
life.
Beginning from paper and
fire and light and
electricity to so much
more.

But with each
creation
there is also the
destruction
of what once was,
forcing more room for
what now is.
The shield that
protected
us from the sun
now weakens with
intangible chlorine pools
needling holes in it’s
secondary layer.

We humans are mortal,
and yet we fancy ourselves
gods
with the things we have
created and brought back to
life.
Saber fanged and ivory toothed
beasts long asleep now
open their eyes
in the wake of our
needless prodding.
But at what point have we
destroyed more than
we have
made?

About 
Valentina Quintero
Valentina Quintero’s favorite color is orange--not the yucky orange, more like the color of the sunset--and her favorite number is 19. AP Calculus is kicking her butt so far, but her cousin said that it’s actually amazing so she’s waiting for that spark of delight that makes everything click. She has a step-father who gave her most of her sarcastic personality, even though her sarcasm sounds like she’s serious.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

Explore The Work