Photo: Tiffany Bessire

After watching Miwa Matreyek’s Infinitely Yours performance at Oz Arts, I was in awe. I was particularly fascinated with the idea of creation Miwa portrayed and played with throughout the show’s entirety. In response, I wrote this piece about the feminine figure, Shadow Woman, who created the world from her body. 

The Origin of Shadow Woman

by Rachel Ebio 

inspired by Miwa Matreyek - Infinitely Yours


Red became orange.
Orange spoke to yellow.
Yellow whispered to green.
Green swam to blue.
Blue gazed at purple.
I gave them all names.
I saw a world. An emergence of peaks and depths.
This world was filled with purity and reciprocity.
I imagined my first children.
Roots flew from my back and married the soil.
I blew seeds from my mouth and watched the forest bloom.
The scent of berries wafted through the air and infused with the scent of fresh herbs.
It was a lush paradise of fiction.
I sang as I joined the water and imagined more of my children.
From my body came one-legged ones.
They swam in unison with the power of the moon.
I returned to the land and imagined more.
Two-legged ones, four-legged ones.
They ran, they slept, they bathed, they ate.
All in harmony.
I looked and yearned to add more.
They were gentle and delicate.
Skin like toasted sand.
Eyes drank the sky.
These children were different.
Words fell from their bodies.
A strange cadence and rhythm.
Love swelled from me full of appreciation.
I returned to the water with my one-legged children.
I felt the flow of the currents and the pull of the tides.
The ocean carried me and nurtured me while my children flourished.
I missed my two legged and four legged children. As I returned, I felt panic.
The land had changed.
No.
It had morphed into something different.
Smoke billowed from metal.
Dust clouded the air.
Poison tainted the soil.
It came for the ocean next.
I searched and searched for my children.
The four-legged ones were far and few.
The two-legged ones were unrecognizable.
They were mangled by greed and deceit.
I tried to walk among the world they created.
This world they thought was worth dying for but I found nothing.
No trace of harmony, no scent of herbs, no mark of kindness.
I had failed.
I failed this world for thinking it could be grown with seeds of good intent when it was grown with the red wave of malicious hunger.
I sighed, sobbed and cried for my children and the world they were born in.
Could I try again? Or is the mistake doomed to be repeated?
I closed my eyes. I waved my arms wildly, knocking down what remained of the natural world.
I cried and screamed until fire erupted. It engulfed the ground and morphed the sky.
It never should have been. It never will be.
I never was Shadow Woman.


About 
Rachel Ebio
Rachel Ebio is a Marketer, Writer and Dreamer from Birmingham, Alabama living in Nashville, Tennessee. She found her love for writing by filling up black and white composition notebooks with short stories at the age of 10. Rachel is currently working on her second non-credit fashion program through Parsons School of Design. Led by curiosity and spirituality, she aspires to answer the questions of the future through writing. She finds sanctuary in the written word.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

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