Photo: Tiffany Bessire

I wrote this piece of flash fiction as a response to Miwa Matreyek’s performance. It is also part reaction to book banning and burnings here in Nashville. There was something about repeated fire in her performance – but also the movement of the collaged images that inspired me to take on the topic. Beyond the tangible images that Matreyek presented, I was also struck by the emotions she showcased of a pounding need for change, repetition of themes, youth, frustration, optimism, and ultimately, hope. My goal was to bring some of that same hope in chaos in my words as well. 

Pyre

by Amy Barnes 

inspired by Miwa Matreyek - Infinitely Yours


I smell Chock Full o’ Nuts coffee on the day of the book burning but Mrs. Basil E. Frrankweiler herself has already been burnt up with Harry Potter and The Ruby Bridges Story and The Bridges of Madison County. Mixed together with ash. Mixed together with rage. The angry People have crammed twelve disciple Bibles into the space where To Kill a Mockingbird once staggered, drunk with a knife in its card catalog pocket. The Children are repulsed a bit by these Biblical interlopers but are hungry to read and flip through them idly as their Mothers’ cars idle out front, the books that smell like leather belts, the ones their Bible-reading fathers keep on the side table instead of books - before they whisper, come here, staggering drunk. The Women in white pants and white faces have pitchforks and pickle forks that are the perfect way to harvest pages, make silenced straw out of Moby Dick and Margaret and her god and Tom Sawyer and his fence. Because of course a blooming Blume god has to be with a small g. No dirty book would have a real god with a big G in it. The new donated Bibles have a big G god because they are special, like the clique of girls that run the school and their mothers who burn the books. The silence is still, still in the left-behind books and the covers of the ones that hid in the corners and in my library tote bag like contraband. The unraptured-by-the-fire books are ironic in their presence. Rain on your book burning day, ironic. Cavemen are still doing it doggy style and powdered sugar slash arsenic donuts are still the snacks of the day and dirty activities of the month. No one fears those books or those plot lines because a young Child in a striped shirt that matches her striped shorts the way that Garanamals easily do - has told her Mother that those books are about dinosaurs and florists who work and live in attics with their florist brothers. A Girl saves those books and the ones with medals on the front that still shine in the half-dark, stack-dark place.


About 
Amy Barnes
Amy Barnes has words at a variety of publications. She’s a Fractured Lit associate editor, Gone Lawn co-editor and reads for Narratively, CRAFT, Taco Bell Quarterly, and The MacGuffin. Her first chapbook of flash fiction Mother Figures was published in 2021 and a full length collection Ambrotypes is forthcoming from word west press in 2022. A Midwestern by birth, she’s a Tennessean by transplant, living with her biggest inspirations: her kids, dogs and husband.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

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