Photo: Tiffany Bessire

Meow Meow and Laurie Anderson are both cheeky performers with political currents flowing under their work. I wrote this personal essay inspired by "The Dream Before" and focused in on unfixable things, the intersection of siblings and identity, and what is being blown "backwards into the future."

Nicht & Und

Inspired by Meow Meow: Diva and Disruptor

by Ezra Graff 

Inspired by Meow Meow: Diva and Disruptor


        Something smaller than a wren was in one of the leyland cypruses this morning, the skeleton of trees draped with grapevines and hung with empty cocoons. Bagworms build their homes with the death of their hosts. I wonder how many things have died on my watch.

        My high school sweetheart texted me yesterday. He works on a farm now. He found an egg at work and was looking for identification help - mottled cream rounding the length of one knuckle to another (hand for scale.) American Woodcock. He moved the egg out of the field “somewhere safer.” It took me an hour to figure out how to tell him he killed it. I lost his number when I switched from one phone to the next, but I’d recognize those nailbeds in a different life. His nickname, when we were teenagers, was “the prettiest girl in school.” And he was. All round eyes and button nose. Long silky hair. His other nickname was “brother,” being 3 years junior to the previous prettiest girl in school - his sister who he to this day models his life after. I always wanted a brother.

        Human chimerism is the result of twin embryos merging in the womb. I forget where I first heard about it. Maybe on the Discovery channel. Maybe on TLC. As a child, I watched a lot of television. This was an age where irregularities within the human body were billed as shocking fodder for daytime television viewers. An interview of women with bicornuate uteri was promoted on The Tyra Show with the phrase “5 women. 10 vaginas.” I use the phrase often. I’m still waiting for someone to get the reference.

        I knew there was something different about me. I watched these shows looking for words that matched my difference, believing that every oddity would coalesce into a single diagnosis if I found the right name. Human chimerism seemed right. Two in one. My face was (is) asymmetrical. I was a girl. I played with the boys. At one point, I made a tally comparing the boy things about me and the girl things. I ate paper (boy). I played with dolls (girl). I never told anyone. Part of me knew it sounded ridiculous, that I was once two. That I ate myself in the womb. That I carry my brother in me. But it only had to make sense to me.

        In high school I had to get a cyst removed. A doctor explained what a cyst was like I was a child (I was a child.) Hair and skin trapped inside me, growing over time, getting irritated. There he was: my brother, my other self, the boy that I merged with, the being I carried all these years after we fused at our coccyx. The surgery to remove him was brief. The wound festered for months.


About 
Ezra Graff
Ezra Graff is an educator, writer, and interdisciplinary artist living and working in Nashville, TN. They view their work as community and ecological archive, documenting the values, practices, and environment of queer and trans artists in the south. Their fiber art has been included in group shows at Frist Art Museum, Elephant Gallery, COOP Gallery, ClearStory Arts, and Gallery X among others. Their writing has been featured in the Southern Festival of Books, Wussy, Bible Belt Queers, Cheekwood Botanical Garden and Museum of Art, BookPage, and various zines.
Art Wire is an ongoing creative writing fellowship from OZ Arts and The Porch. Each performance season, a cohort of writers is selected via application to attend a variety of OZ Arts presentations and respond to each work through original writing that is personal, playful, and deeply engaged.

Throughout the season, original Art Wire writings will be added to this website, showcasing the inspiration and interpretations captured by this year's cohort.

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