Photo:Tiffany Bessire

I wrote this piece in response to Le Grand Bal, a performance that brought to life the exquisite tension that exists between restraint and surrender. In response, I wanted to write a piece that engages with questions of control, agency, and individual expression in the face of extreme societal pressure.

The dancing plague of 1518

Inspired by Le Grand Bal

by Lane Scott Jones 

Inspired by Le Grand Bal


What we know for sure: It happened.
Historians blame psychosis,
or maybe it was poisoned bread.
Dozens, then hundreds, dancing in the streets:
salt-soaked and bloodied, epileptic, ecstatic.

Ceaseless, as though Death were up
next on their dance card. It began
with one woman wanting: That first
Frauline, frantic for release from
the terrible symphony inside.

I know the same chords. I’ve stilled
hot blood in splintering wooden pews,
sang absolution in narrow-aisled churches.
When the molten gold of desire
ran through me, I did not show how it burned.

In the end, the affliction was the cure. Dance
yourself free, doctors told them, and they did.
In red shoes at the shrine of St. Vitus—martyred

protector, prayerful and beatific in a cauldron
of boiling tar—they gave themselves over to it.

Salvation would not be found in restraint,
but complete surrender. Tonight, the summer
sunset pulls a cloak over the city and drives
me to the dark sanctuary of the dance floor.
On stage, silhouettes of queer joy never stop moving,

illuminated by strobe lights like ecstatic visions.
Death comes for us, but not yet. I am
among warm bodies and we are moving as one.
There is music playing that only we can hear.
Desire is a drumbeat that only gets louder.

So we dance. And we set ourselves free.


About 
Lane Scott Jones
Lane Scott Jones is a Pushcart Prize-nominated writer and speaker whose work has appeared in Longreads, Repeller, Good Grit, Nashville Scene, and in translation in Internazionale. Her writing has been awarded a 2025 ASJA Prize for First-Person Essay, selected as runner-up for the W.W. Norton Writers Prize in Creative Nonfiction, and supported by the Virginia Center for Creative Arts. She writes the Substack newsletter Second Rodeo. Learn more at lanescottjones.com.
Art Wire is an ongoing creative writing fellowship from OZ Arts and The Porch. Each performance season, a cohort of writers is selected via application to attend a variety of OZ Arts presentations and respond to each work through original writing that is personal, playful, and deeply engaged.

Throughout the season, original Art Wire writings will be added to this website, showcasing the inspiration and interpretations captured by this year's cohort.

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