Photo: Tiffany Bessire

The flashing lights, thump of the bass and blending of bodies came together to evoke the inimate nature of a club. In experiencing Tribe: Black Hole, I found myself reflecting on my experiences as a gay club goer.

unease/ecstasy

In response to Black Hole

by Nat Martinez-White 

In response to Black Hole


burrowing inside of inside of inside. tugging on
my organs, ironing out their folds to a four on the floor beat stomp, clap, raise hands above my head
who am I without a touch of fear?
BREATHE in until I’m smooth, my burden
this festering pile doubles as my innards while
those sweaty bodies hate to let go
slippy sticky peeling off of that girl—
OH, that girl.

a chameleon, I slink; eyes unable to look forward go inside! turn inward. push it down, suck it up. my feet start tapping while my hips circle
This is the way a normal girl moves

now my hips are squared, grinding
A dancefloor makeout almost never hurts, feeding the self-destruction, drive it in/down/out my viscera spread across the floor, I am freed
OH faceless girl, eat me whole


About 
Nat Martinez-White
Nat Kat (she/he/they) is an interdisciplinary artist, anthropologist writer and otherwise vexing person. They create works based on their experiences as a queer Mexican neurodivergent woman/guy cat-haver in an otherwise vexing world. Whether it be through film, through sculpture from reworked materials, through Micron-inked comics, or purely through the written word, nat kat is simply trying to process and make sense of it all.
Art Wire is an ongoing creative writing fellowship from OZ Arts and The Porch. Each performance season, a cohort of writers is selected via application to attend a variety of OZ Arts presentations and respond to each work through original writing that is personal, playful, and deeply engaged.

Throughout the season, original Art Wire writings will be added to this website, showcasing the inspiration and interpretations captured by this year's cohort.

Explore The Work