Photo: Tiffany Bessire

my beloved monster

Inspired by Manual Cinema's Frankenstein

by Serena Alexander 

Inspired by Manual Cinema's Frankenstein


We are pinpricks of light, flickering side by side,

strung,

bound together in the great hollow space between words and womb

I wait for it to speak and watch

while golden honey drowns daydreamed maps scrawled across my desk.

Feathers

stuffed under its skin and black button eyes

a doll with heart beating

tiny white teeth,

barbed wire cries savage as any warrior’s.

Knowing what to call it is a challenge

this precious parasite

beloved beast with a poison touch.

Torn from my fabric.

Beautiful bullet-holes in this body

are the sweet scars it bestows in its cold, weeping way

song is caught in a throat that is not mine.

Much like a ghost, an echo,

its shadow looms on the moon outside my window.

Its cradle carved from flesh,

but I have none to feed it.

The hands that creep over its edge are unwelcome enemies

to my childhood’s fresh sentry,

swallowing my tongue.

The wound from which I cannot recover holds me tight and calls me mother.


About 
Serena Alexander
Serena Alexander is a junior at Hume-Fogg High School and participant in the HFA Choir and Theatre Department in both performance and production arenas. She’s been writing and reading ravenously from a very young age. Her other passions include visual art, music as a vocalist, pianist, and fledgling guitarist, and activism in politics, particularly feminist and LGBTQ+ issues. She hopes to help those around her exercise empathy in every possible capacity.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

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