Photo: Tiffany Bessire

I saw Miwa Matreyek’s Infinitely Yours and Myth and Infrastructure shortly after a Pacific Northwest trip. The show’s unsettling and inspired images left a daunted taste in my mouth, and after coupling that with my own experiences, I started this poem.

Italian Boots

by Abram Haynes 

inspired by Miwa Matreyek - Infinitely Yours


Flushed with cold, 
but it hasn't gotten old, lying on this log, 
as big around as the face of that clock 
from that English city with all the fog. 
A dead tree the size of a medical fee, 
these castles climbing 
        around me, 
breathing out a scent so irradiant, so conflagrant - 
   And then the wind! It rattles off a gust, and I simply 
                must 
                    smile. 
        I haven't felt this way in a while. 

I move my toes, which are enclosed 
in boots of Italian leather. 
Now, whether they are particularly new 
is, well, untrue, 
the Goodwill pair acquired at the reasonable fare of
        ten dollars. 
They're a long way from home, 
but now they've seen this ardent corner of the great blue dome; 
        like me. 

And through the leaves, infamous CO2
thieves, a fractured blaze hangs, 
wafting through the tree's bangs, 
floating, suspended, like puppet strings - 
or maybe those things 
that hang around nurseries,
as prominent as inquiries, 
        after someone familiar. 

Then, as the light shimmered, 
a darker thought began to glimmer. 
I look around; my heart felt dimmer. 
Those trees, First and Last, 
but not if they were all turned 
        to ash. 
I look up, craning my neck 
to see the upmost sect 
of those living pieces of history. 
I'd hate to see them blistering. 

And the terrible thing is, 
I may never see them again. 
That grove may join 
the droves that have withered 
        in flames; 
destruction is never quite the same. 
I hear my sister clowning around, in truth a very lovely sound, one
I hold very close to my heart. 
It really does tear me apart, 
that this may be the only part of these fantastic giants
before they die and 
        fade 
that she will get to say she 
        saw.

Then my Italian boots, 
    Second hand, nudging against
        pipeline roots.
It makes me laugh because 
I may only be the second 
        half 
of a different story. 
It doesn't bore me. 
I wear them when I exit, 
off to the next hit 
of a Pacific-Northwest travel bit, but my borrowed coat will 
smell like unadulterated life; 
for a little while, 
at least.

About 
Abram Haynes
Abram Haynes is a former Texan turned Nashvillian, the remnants of his former home still lingering in the form of a screwed-up temperature tolerance. When he isn’t writing, you can almost assuredly find him doing school, day-dreaming when he should be doing school, or maybe even rehearsing for a play. He is fond of history, and is currently slogging through high school.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

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