Photo: Tiffany Bessire

A Prayer Bell Coda

Inspired by Kronos Quartet, A Thousand Thoughts

by Chance Chambers 

Inspired by Kronos Quartet, A Thousand Thoughts


 

 

“What is music? You finish making a note, and that’s it. Where is it?”

—David Harrington, Kronos Quartet, A Thousand Thoughts

 

I.

Waiting for the music

of the somewhere-after,

we all turn to magnetic dust, 

pieces of what we once were

clinging to this world 

like a drunk holds 

onto a bad idea,

the way a lost Midtown soul

stands outside boomtown bars,

decrypts messages coded 

in the chord changes 

of cover songs, 

how a son puts his ear 

to cold granite and listens

for the wind to cut 

across a field of real estate 

six feet down,

the way a widow leans in

to hear the whisper spin 

of two reels, 

one speaker, 

the static score 

from a Tokyo club, 1967.

 

Tube-strangled guitars, 

thumbtack snare, floor-shaking bass

—all too much for a plastic box

and its toy microphone. 

A soldier’s capstan-driven voice

bleeds into the distorted din 

of a bar serving R & R six hours 

from a listening post outside Saigon, 

where he’ll bleed again

soon enough. 

v.

Listening for echoes

of ghosts, I stumble  

through God’s afterthought

and lose myself 

in the bellows breath 

of a mellotron.

Harpsichord turnarounds 

distract me with the jangly promise 

of another tomorrow.

I hear messages 

in the chord changes 

of fallen FM radio angels.

A melody I can’t name travels with me 

thousands of miles and seven years 

from Quảng Ngãi to Sylvan Park

where my brain hums 

like a crystal glass 

under a violin bow, 

the rim vibrating 

the same frequency 

my father’s hand trembled

as he composed sweat-soaked

dispatches to my mother.

“How’s Lobo. He’s a pretty good dog.”

“Pat, please drive safely.”

I hold a browning 

par avion envelope

to my ear:

no tone

no inflection

no breath

IV.

I wait for an epitaph 

etched in oxide, sealed 

against a substrate of hope,

the coda to my expectation song.

I wait for the return:

one reel, unwound

and lost from a firebox

of relics with no voice,

untethered and spinning

between memory and time,

who offer instead

a pagoda,

a prayer bell,

and an address book

to guide my father’s soul

back home.


About 
Chance Chambers
Chance Chambers has lived in Nashville since 1985, the year he moved from his hometown, Paris, Tennessee. His poetry and fiction have appeared in Perfume River Poetry Review, Number One: A Literary Journal, Sobotka Literary Magazine, and the anthologies Muscadine Lines: A Southern Anthology and Gathering: Writers of Williamson County. His poetry was also featured in a 2015 Metro Nashville Arts Commission public artworks project funded by the Bonnaroo Works Fund and The Community Foundation of Middle Tennessee. When not spending time with his beautiful wife, Jennifer, and their two cats, Albus and Oz, Chance enjoys collecting overheard conversations.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

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