Photo: Tiffany Bessire

Along with making me think of specific imagery it prompted me to think of systems humans have willing made and participate in and whether those systems truly feel liberating. It prompted me to dive deeper into the idea of "Consumption"; what do we unknowingly eat and breath outside of the obvious?

Birds on a Wire

In response to Food

by Kyoko Eng 

In response to Food


I had a dream that my feet were swaddled 
in white cloth bound by that plastic wire 
used to hang chickens when they are pulled 
from the coop Here virtue is a head bowed 
to receive bread I prayed to gloved hands 
rubbed palms for men lit by doorways 
Their routine our ritual A machine’s hum 
that echoed within our cages like a hymn 
it rang out

O devout ones, please forsake your feathers! 
 O pious ones, please offer your eggs! 
 You will hunger no longer, 
 There is a place for you. 
 There is a place for you.

We didn’t know the cost of saying yes 
was to stuff our lungs with Zoom meeting 
chants to birth from our breasts chicks 
that would hatch in board rooms where doors 
slam shut Plead on our knees for the duds 
dutifully discarded recycled as slops to fill 
these buckets with something more than words 
We have forgotten how to kick our feet

our wings

we cannot wake because we have forgotten
that this dream

is ours.


About 
Kyoko Eng
Kyoko Eng (she/her, born Memphis, TN) is an interaction designer and artist who crafts and conducts systems, artifacts, and experiences that explore the intersections of tech & nature, AI & privacy, and the personal versus the collective. She received her BFA in Graphic Design from The University of Tennessee, Knoxville and currently works as a Product Lead for the open source community, OpenMined. As a designer she is media agnostic, so when she isn’t defining UX flows you can often find her expanding her practice by dropping in at your local art/performance class, tinkering with a new API at your non-local repo, or researching and writing at Eastside’s Ugly Mugs.
OZ Arts Nashville presents Art Wire: an ongoing collaboration between OZ Arts and The Porch in which 10 writers attend the OZ Arts performance season and respond to the presentations through original writing that is personal, playful, and deeply engaged. The OZ Arts 2019-2020 season offers each Art Wire Fellow a diverse array of inspiration, including innovative Japanese dance artist Hiroaki Umeda; a genre-bending presentation of Frankenstein by Chicago-based company Manual Cinema; and two emotionally raw works with Nashville's own professional dance company, New Dialect, just to name a few.

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